Iran sentences singer to 74 lashes for performing without hijab

By Alex Tanzer, 
updated on June 19, 2026

A 29-year-old Iranian singer faces 74 lashes after authorities discovered she performed a patriotic song without wearing a hijab during a live-streamed concert. Parastoo Ahmadi's sentence, reported by The Sun, also includes a two-year ban on leaving the country and a two-year prohibition on any artistic activity.

The crime: singing.

Ahmadi and a group of fellow musicians performed "As Khoone Javane Vatan", which translates to "From the Blood of the Youth of the Homeland", in a live-streamed concert in December 2024. The video racked up millions of views on YouTube. Iranian authorities responded by briefly arresting Ahmadi and the other artists on suspicion of appearing without hijabs during the performance. They were released, but the state was not finished with them.

Court documents, seen by The Guardian, confirm that the sentence centers on Ahmadi's decision to sing the patriotic song without a head covering. Iran's official judiciary news agency had not published the ruling at the time of reporting, and the specific court that issued the sentence remains unnamed. Whether the sentence has been carried out or is under appeal is unclear.

No legal basis, lawyers say

A human rights lawyer who reviewed the case told The Guardian that the sentence has no grounding in Iranian criminal law itself. The lawyer, who was not named, laid the contradiction bare.

"Singing, performing music and producing or disseminating musical works by women are not criminalised under Iranian criminal law. Consequently, such activities cannot reasonably be construed as the 'production, distribution or publication of obscene content.'"

That distinction matters. The regime did not charge Ahmadi under a statute that explicitly bans women from singing. It apparently treated a woman's uncovered hair and voice as obscene content, a legal stretch that even Iran's own criminal code does not support, according to the lawyer's analysis.

The names of the other musicians sentenced alongside Ahmadi have not been disclosed. Whether they face the same 74 lashes or different penalties is also unknown. The two-year travel ban and the two-year artistic activities ban apply to the group collectively.

A regime that never changes

Bahar Ghandehari, director of advocacy at the U.S.-based Center for Human Rights in Iran, framed the sentence as part of a broader pattern. She pointed to the gap between the regime's diplomatic posture and its domestic conduct.

"Ahmadi's punishment of 74 lashes for merely singing and appearing without a hijab is yet another reminder that human rights conditions in Iran have not changed, despite the Iranian authorities' wartime propaganda campaign aimed at improving their image."

That propaganda campaign has run alongside a record of escalating brutality. The regime's security forces conducted a sweeping crackdown on protesters, and Iran has hanged men, including teenagers, in waves of executions tied to protest movements.

Human rights groups have argued that the increase in cases against artists proves the regime is intensifying its campaign against cultural dissent. The message to Iranian women is unmistakable: perform without a head covering, and the state will find a way to punish you, even if it has to invent the legal basis.

The Ahmadi case is not an isolated incident. Iran has moved to hang women sentenced over anti-regime protests, and its broader execution campaign against political prisoners has only accelerated in recent years.

Diplomatic window dressing

The sentencing comes during a period in which Iran has sought to project a more reasonable image on the world stage. Iran and the United States recently signed a memorandum of understanding described as paving the way toward ending the Strait of Hormuz blockade and all strikes in the Middle East. That diplomatic maneuvering has not translated into any softening of the regime's domestic repression.

President Trump has previously called on Iran to free women reportedly facing execution, pressing the regime on its treatment of female dissidents ahead of nuclear negotiations. The Ahmadi sentence is exactly the kind of case that exposes the hollowness of Tehran's diplomatic charm offensive.

The international community's track record on holding Iran accountable for these abuses is not encouraging. Iran managed to win nomination to a key U.N. committee while Western allies stayed silent and only America objected, a fact that tells you everything about how seriously the global establishment takes Iranian human rights violations.

What remains unanswered

Several basic questions about Ahmadi's case remain open. No specific statute has been cited publicly to justify the sentence. The court that issued the ruling has not been identified by name. Whether Ahmadi or her legal team plan to appeal is unknown. And the regime's judiciary news agency has yet to publish the ruling, a silence that may reflect the regime's awareness that the case draws unwanted attention.

The regime's accelerating execution campaign against political prisoners provides the backdrop against which Ahmadi's sentence must be understood. Lashes, travel bans, and artistic prohibitions sit on the lower end of a spectrum that extends to the gallows.

Millions of young Iranians have taken to the streets in protest. The regime's answer has been force, arrests, crackdowns, and now the spectacle of sentencing a young woman to a whipping for the act of singing a patriotic song with her hair uncovered.

The real obscenity

The Iranian government called a woman's uncovered hair and singing voice obscene. A human rights lawyer says that charge has no basis in Iran's own criminal code. The court invented a crime to punish defiance.

Parastoo Ahmadi sang about the blood of her country's youth. The regime confirmed, in its own courtroom, that it has no interest in stopping the bleeding.

When a government has to whip a 29-year-old woman to keep her quiet, it is not projecting strength. It is advertising fear.

About Alex Tanzer

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